Beginning Drawing

Art 24

Van Gogh: Illuminating and Shocking

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I saw this today in the Guardian – “You don’t need much to draw – though to begin with, when Van Gogh was struggling to teach himself the mysteries of perspective drawing, he even set up a small rectangular frame strung with wires to look through. He was also much concerned and delighted by different types of pencils, English handmade papers of various weights and finishes, inks and nibs. He could even rhapsodise about a lump of black chalk.” (Adriane Searle, Van Gogh at the Royal Academy: Illuminating and Shocking, guardian.co.uk) Read the entire article.
Also be sure to bookmark this site on Van Gogh’s letters and drawings. Van Gogh, self portrait 1887, The Art Institute of Chicago

Written by mar

January 21, 2010 at 10:41 am

Posted in Art History

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Chuck Close Close Up

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Bring to class: two identical 4×6″ prints of your self-portrait photo shoot. It must be an original photo shot for this assignment. Any camera will do as long as you can get a photo quality printout from it. You will need two identical 4×6″ prints (one will be cut up). Shoot only your face. Do not use a flash- instead set up a single source light situation (window, spotlight, late afternoon outside). One side of face should be lit, the other should be dark. Must have prints in class 10/27.
This show just opened at the SAN JOSE MUSEUM OF ART: Chuck Close Prints: Process and Collaboration. Oct 6-Jan10


Written by mar

October 26, 2009 at 1:19 am

Posted in Portrait, Self Portrait

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Recreation of Brunelleschi’s discovery of linear perspective

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October 24, 2009 at 7:39 pm

Posted in Linear Perspective

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Linear Perspective

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Pietro Perugino

Pietro Perugino

Written by mar

October 19, 2009 at 7:44 pm

Posted in Linear Perspective

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Images related to soft rendering (glazing)

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Click on the titles below to see images by two artists who use a glazing technique in drawing:

Written by mar

October 12, 2009 at 12:01 am

Posted in Glazing, Graphite, Rendering

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Georges Seurat: Pointillism

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See slideshow of Seurat’s drawings with lecture by Roberta Smith, New York Times art critic.
Also see scene with La Grande Jatte from Ferris Bueller’s Day Off.

Un dimanche après-midi à lÎle de la Grande Jatte by Georges Seurat (The Art Institute of Chicago)

Un dimanche après-midi à l'Île de la Grande Jatte by Georges Seurat (The Art Institute of Chicago)

Written by mar

September 21, 2009 at 11:36 pm

Posted in Pointillism

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Henri Matisse and line

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To explore the Matisse collection at MOMA click the painting.

Henri Matisse, Self-Portrait in a Striped T-shirt (1906)

Henri Matisse, Self-Portrait in a Striped T-shirt (1906)

Written by mar

September 10, 2009 at 2:47 am

Posted in Composition, Ink

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Gesture Drawing Demonstration (portrait)

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Welcome to the Fall semester. We will begin the course with some gesture drawing in order to loosen up before moving on to line, tone etc. The key to gesture drawing is speed. Work fast and trust your instincts.
Be sure to explore the previous video about Frank Gehry and don’t forget to view his drawings. They are all about gesture on the way to architecture.

Written by mar

August 24, 2009 at 9:33 pm

Posted in Gesture drawing

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Frank Gehry and drawing

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“The key to Frank O. Gehry’s architecture is in his drawings. A Gehry building begins with a sketch, and Gehry’s sketches are distinctive. They’re characterized by a sense of off-hand improvisation, of intuitive spontaneity. The fine line is invariably fluid, impulsive. The drawings convey no architectural mass or weight, only loose directions and shifting spatial relationships…” READ ON

View Gehry’s sketches.

Written by mar

August 2, 2009 at 2:32 am